The Portrait in the Shed

Last month I returned to Scotland again for a short visit. And in a brief sunny two-day window bookended by cold and wet weather, my mother and I headed over to the west coast to visit my younger sister. Since we’d last seen each other, she’d moved into an old quarryman’s cottage in a tiny Ayrshire village. Set on the banks of the river Ayr with a nature reserve at her back door and a welcoming neighbouring pub with great food  it was the perfect location for a weekend away, bringing back memories of our Ayrshire childhood in the seventies.

My sister’s terraced cottage was decorated in her eclectic style with objects old and new. In the entrance porch I was surprised but pleased to see the twin brass eagles that had graced my grandparent’s mantlepiece for all the years I’d know them. They were made by Robert Neilson, my grandmother’s father, who was a brass finisher by trade. As a child they’d always fascinated me – as they obviously did my sister – and they were just as exquisite as I’d remembered, with the strange detail that had intrigued me at the time: the birds’ flat-topped heads and outsized feet; their arched wings and the indentations of their feathers. I automatically reached out to touch them, as I’d always done, and felt that same unexpected coldness and roughness.

One of a pair of Brass Eagles which my great-grandfather made

In the small room at the front of the house was an even greater surprise: the lost portrait of our Great Uncle Adam that I remember so well from the day we triumphantly unearthed it from my grandfather’s garden shed. That warm afternoon we’d set ourselves the task of emptying the shed of all its accumulated junk in order to make some play room for ourselves. I still can recall the musty damp smell of the tiny wooden building and the wonder as the area outside the shed filled up with all the tools and boxes that had been stored there (looking like it had doubled in amount once freed from its confines). Soon we could see a wooden floor and knew that we were on target to achieve our goal. Except we hadn’t quite worked out how everything would go back in.

With my grandparents in summer 1964 – the shed is behind us

We were lucky that day that my grandparent’s were fairly sanguine about the enterprise, using it as the spur they needed to get rid of some of the unwanted items they’d forgotten about over the years. But I’m not sure what they thought when we came proudly back into the house carrying a large and unwieldy framed photographic portrait of a young smiling man in military uniform. Oh, it’s Uncle Adam they exclaimed. When he was in the war. By that they meant the 1st World War, in which Adam Neilson had enlisted in the Signallers in 1914 at the age of 16 by saying he was older than he actually was. His parents had been furious and tried to get him out of the contract, with Great Grandma seemingly upset about the fact she’d just bought him an expensive new winter wool coat. Yet he had survived the conflict – like my London grandfather he felt it better to choose his regiment rather than be conscripted later – and gone on to become a much-loved uncle and now our oldest great-uncle. 

Adam Neilson c1914/15

Read more of this post at my new family history blog: A Scottish Family Album. Better still, become a subscriber to the new blog and always get each new chapter delivered to your inbox on the first of the month!

The Incidental Genealogist, May 2022

Walking Pictures

While I was undertaking February’s onerous task of organising the large and jumbled collection of Scottish family photographs, I came across a number of  so-called ‘walking pictures’. So delighted was I with these spontaneous-looking images – like unexpected peeks into unguarded moments in my relatives’ lives – that I almost thought about giving them a separate category. In the end, I reluctantly filed them in their individual family folders, but not before deciding they should at least have their own chapter in my Scottish family story.

Most of us with collections of personal photographs from the last century will recognise the walking picture and may even been ‘victim’ of one. These opportunistic snaps were mainly taken in the 1920s through to the 1950s, before camera ownership was widespread. The business idea was simple: commercial photographers set themselves up on busy main streets or seaside resorts, catching pedestrians as they walked and talked and gazed around them. The walkers were often unaware of the camera pointing in their direction – at least until the moment when their wry smiles or looks of quizzical surprise were captured on film.

Catherine and Ann Neilson, Princes St. Edinburgh, late 1920s

Read more of this post at my new family history blog: A Scottish Family Album. Better still, become a subscriber to the new blog and always get each new chapter delivered to your inbox on the first of the month!

The Incidental Genealogist, April 2022

February Fill the Dyke

February certainly lived up to its old appellation of ‘fill-the-dyke’ this year – at least it did in Scotland. It was my first trip home in two years, and while many things in Edinburgh had changed, the late winter weather was just as miserable as I’d remembered, albeit persistently windier. I had never heard the old rhyme February fill the dyke, either black or white before, but my mother told me that it was one of her maternal grandmother’s favourite climate-related sayings, including the rather pessimistic  Ne’er cast a clout before May be out. (Etymologists still cannot decide whether the May in question refers to the spring month or the arrival of the hawthorn – or may – blossom several weeks earlier, but there are compelling arguments for both alternatives).

Despite the ambiguity of the aforementioned rhyme, had it been May and not February my mother and I might have actually managed to do some of the things we’d planned (layered up or not): such as exploring the Canongate and Dumbiedykes area of the city where one side of our Scottish family had lived, or heading down the east coast to rural Athelstaneford, from where the Neilsons had originated. But due to the hostile weather we spent a lot of time indoors, sorting out the five messy boxes that contained all the Scottish family photographs amassed over the last 130 plus years. That in itself took up most of the week (and most of the living room), and in fact was a task that I’d still not finished when I was hurriedly packing my suitcase in preparation for my all-too-soon departure.

However, without the dykes being filled (both black and white) I doubt I’d have had the time to even manage to reorganise one of the boxes; so I have February to thank for my achievement. And even though I didn’t manage to digitalise all the photographs, I made at least a stab at sorting out the contents of the boxes into five separate categories. While it had always seemed fun just to prise open the lids and find random photos irreverently juxtaposed inside – my mother playing tennis in shorts as a teenager in the fifties next to a cabinet card of straight-backed Victorians – it was not conducive to any easy retrieval of images, something which needed to be rectified for my genealogy project. But therein lay the problem: how should the contents of the boxes be categorised?

My grandmother with my grandfather’s motorcycle, Largs late 1920s

Read more of this post at my new family history blog: A Scottish Family Album

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The Incidental Genealogist, March 2022

A Tenement with a View

This month in my new Scottish family history blog, I am focusing on my grandmother’s childhood home in the Dumbiedykes‘  tenement flat in the east of Edinburgh. It is a house which I have never seen as it was torn down during the 1960s post-war ‘slum clearances’, although it had once been a much loved family home. Not only was the location fairly central for Edinburgh’s Old Town, but the balcony from the top floor flat looked over Holyrood Park and Arthur’s Seat. This balcony was also the scene of many family photographs – no doubt because of the space and light that wasn’t available inside the crowded tenement – and it’s thanks to this (and the unknown photographer, who was possibly one of my grandmother’s brothers) that there are so many natural images of the family relaxing at home throughout the 20s, 30s and 40s.

*My Grandparents on the Dumbiedykes Balcony, c1930

As a child I was always drawn to the set of photographs taken from the balcony of my great-grandparents’ tenement flat in Edinburgh’s Dumbieykes area. Through these images I saw my grandmother morph from a gangly 1920s teenager into a young married woman in the 1930s and then as a mother in the 1940s. Fashion moved on over the decades, but the solid-looking wrought-iron balcony was a constant. I have been told that the views from the flat over Holyrood Park were spectacular, although unfortunately no-one in the family thought to photograph them. My mother credits the fresh air blowing in from Arthur’s Seat and Salisbury Crags for the Neilsons’ longevity – in addition to my great-grandmother’s plain and wholesome Scottish cooking. And even if they did not take advantage of the outdoor space in quite the same way we would today, the family must have appreciated being able to step out onto the balcony on a sunny morning, or to simply have a place to hang up damp laundry or wet overcoats.

Read more of this post at my new family history blog: A Scottish Family Album

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The Incidental Genealogist, February 2022

An Ordinary and Unremarkable Woman: Part 2

This month, I am publishing the second part of an essay my mother (born Catherine Thomson McKay in 1938) wrote about her namesake maternal grandmother – Catherine Miller Thomson – the great-grandmother who I remembered from my early childhood. With my mother’s permission, I have edited and updated her text slightly, without removing the spirit of the original. This potted biography was originally an assignment for a course in family history, a subject my mother took up after I returned home from London and recounted my exploits as an heir hunter in Holborn in the 1980s (see The Incidental Genealogist is Born). When my mother wrote the article, she was younger than I am now; which is a sobering reminder of how time has a habit of overtaking us all. But this can also be a spur to action, as it is never too late to start working on a family history and interview living relatives.

Part 1 last month focussed on my great-grandmother’s early years and this post will move through the years of her marriage in the Dumbiedykestenement flat in the east of Edinburgh. It is a house which no longer exists, being torn down during the 1960s ‘slum clearances’ that destroyed many solid housing in its well-meant quest for social change during the post-war period, but was a much loved family home. Not only did the balcony from the top floor flat afford the Neilson family wonderful vistas over Holyrood Park and Arthur’s Seat, but it was fairly central for the rest of the city, in particular the south side. Despite my assumption that the moves to the suburbs or farther afield were something the subsequent generation had aspired to, I later discovered that most of the Neilsons liked their life in the city. And during my time living and working in The Canongate – the eastern end of the Royal Mile – in the mid-90s, I grew to appreciate the benefits of being in the heart of the old town, but with parks and hills and a palace on my doorstep. 

*Catherine and Robert Neilson in Middle-Age

In the years after my grandmother’s marriage to Robert Neilson in 1897, the outside world was changing. Queen Victoria had died; there followed the short reign of Edward the Seventh, and then George the Fifth ascended the throne. Great ships were being built in Scotland at Clydebank, but for the working man the fear of being out of work was omnipresent. There were no family allowances or unemployment benefits and the one dread of a family was to go ‘on the Parish’ or into the workhouse – known locally as ‘the Poorshoose’. Fortunately, through the thrift of my grandparents, this did not happen to their family. good health was also a strong factor in their favour as they all remained in remarkably good health, despite the relatively crowded conditions of their living quarters. The dreaded spectre of tuberculosis, which wiped out many families in those days, was fortunately absent from their household. 

Read more of this post at my new family history blog: A Scottish Family Album

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Happy New Year!

The Incidental Genealogist, January 2022

An Ordinary and Unremarkable Woman: Part 1

This month, I am publishing the first part of an essay my mother (born Catherine Thomson McKay in 1938) wrote about her namesake maternal grandmother – the great-grandmother who I remembered from my early childhood. With my mother’s permission, I have edited and updated her text slightly, without removing the spirit of the original. This potted biography was originally an assignment for a course in family history, a subject my mother took up after I returned home from London and recounted my exploits as an heir hunter in Holborn in the 1980s (see The Incidental Genealogist is Born). When my mother wrote the article, she was younger than I am now; which is a sobering reminder of how time has a habit of overtaking us all. But this can also be a spur to action, as it is never too late to start working on a family history and interview living relatives.

Through editing this post, I came to realise how much of my Edinburgh ancestor’s lives were based around The Canongate – the eastern end of the Royal Mile, and a place I knew well. In the 1990s, not only did I live and work in the heart of the district, but on summer evenings I would lean out of the flat window, surveying the busy thoroughfare below, musing on the fact that citizens had done this for centuries (although I did not go as far as to throw out the contents of my chamber pot, as was once commonplace!). Ghost tours stopped in the centuries old courtyard behind the tenement, spooking the residents with their shrieks and howls. On quiet Sundays I’d explore all the hidden closes and gardens of this most historical street. I became enchanted with some of the nooks and crannies that the majority of visitors overlooked, including White Horse Close, where unbeknownst to me, my great-grandmother had lived as a girl in the 1880s. In fact, I even took my husband there on our first date – and we’ve been back many times since without ever being aware of the family connection.

In the months that follow, I look forward to sharing this remarkable district of Edinburgh with you. As my mother says below: All history passed that way.

*

Catherine Miller Thomson age 18

My maternal grandmother, whose name I share, was an ordinary and unremarkable working-class woman, typical of her social standing and the times in which she lived. But in retrospect, three facts about her life now appear remarkable to me today: she lived through the Boer and the 1st and 2nd World Wars; her lifetime coincided with the reign of six monarchs, spanning Victoria to the present Queen Elizabeth 2nd. And she produced eleven children with predictable regularity from the time of her marriage in 1898 until shortly before her 43rd birthday in 1917.

*

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The Incidental Genealogist, December 2021

Foxed Mirrors and Fairytales: Part 2

My Scottish grandparents had a past – I knew that – but it was not one that I could readily imagine. It was as if they had been brought into the world solely to be Grandma and Grandad, and false teeth, glasses and greying hair had been their lot since the beginning. Even if the photograph box yielded up images of them as a young ‘courting couple’ in the 1920s or as thirty-something parents in the following decade, this was not the same people I knew. Something had happened along the way to separate them from their youth – irreversible split that I dreaded experiencing myself, and which I planned to do everything in my power to prevent. And often their memories were fleeting or muddled, or were of things about which they no longer spoke, as if they had become unmoored from the people they once were before they met and married and had my mother.  

My McKay grandparents as a young engaged couple

Read more of this post at my new family history blog: A Scottish Family Album

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The Incidental Genealogist, November 2021

The Evening with the Photograph Album

Exactly six years ago this month, my nascent blog was featured by The Gentle Author in the London blog, Spitalfields Life. As an alumnus from the Gentle Author’s writing course, I had been invited to send in a post from my blog to be considered for publication, and through this fortuitous event (see here) I gained my first core readership, as well as the confidence to promote my blog to friends and family. Since then, I have featured again in Spitalfields Life (see here), and also returned to the old weaver’s house in Fournier Street for an advanced writing workshop with The Gentle Author just before the pandemic hit the country (see Strange Times Indeed).

Now I find myself in the position of having to promote my new blog A Scottish Family Album. So if you have enjoyed A London Family (which will continue to remain online and accessible to readers and researchers), it would be an honour and a pleasure if you joined me in my new Scottish genealogical quest which is based on the old family albums that my mother inherited from her parents and maternal grandmother. Starting this fresh project has taken me back to the early days of my London-based research and the excitement that each new family find generated. This time I have the added bonus of my secret weapon: my Scottish mother, who herself undertook genealogical research into her family after I came back home full of tales about life in Thatcher’s London as an heir hunter.  

This month’s blog post in A Scottish Family Album is entitled Foxed Mirrors and Fairy Tales – and is focused on my own impressions of my Scottish grandparents and their home in Edinburgh. Having featured in last month’s A London Family, it is a link between my two strands of genealogical research.

With my McKay grandparents, Edinburgh 1964

My Scottish grandparents were ten years younger than my English ones (my father was ten years older than my mother) and thus my Scottish grandfather just missed serving in WW1, unlike Grandad Skelton (see Portrait of my Grandfather as a Soldier). Yet both my grandmothers worked as young women – Grandma Skelton as a telephonist at the Central Post Office in London (see Portrait of my Grandmother as a Young Woman) and my Scottish grandmother undertook an apprenticeship in an Edinburgh department store as a dressmaker, a skill she passed on to my mother. 

I always remember her making her own clothes, just as my own mother did, and in fact in the 1963 wedding photograph of my parents below, she is wearing her own ‘mother- of-the-bride’ outfit (second from left). In contrast to my rather stout and ungainly English grandmother, Grandma McKay was always neat and elegant and whippet-thin. It is hard for me to believe that on this day she is exactly the same age as I am now, although her grey permed hair seems to set her apart from today’s fifty-somethings (the outfit would still be a killer one!)

Poor grandma Skelton almost looks like the second-rate version in her similar get-up, and yet I loved them both dearly; and whereas my Scottish grandmother could be nippy and spiky at times, Grandma Skelton was more of an archetypal mothering grandmother (see Portrait of my Grandmother in Later Life). However, I had the chance to get to know my Scottish grandmother for a lot longer as she did not die until I was thirty-four. Up until that point, we had many a fascinating conversation, and a visit to Grandma’s was never just a chore for me. She was sharp as a tack and curious about the world, and I often thought that it was as if each grandparent had ended up with the other’s partner (in looks and temperament).

All my grandparents at my parents’ wedding (partners swapped!) 

Both my grandmothers had to give up work once they married, although my Scottish grandmother did not have her first and only child (my mother) for another seven years. Interestingly, this seven-year wait for a family also happened to my English grandmother’s mother, who then had three children when she was relatively mature. For that reason, my father barely knew his maternal grandmother, but had a vague memory of an old lady dressed in black who sat in a chair in a corner of the living room.

In my mother’s case, she was thirty before she lost her grandmother (who was born in 1874) and during the years when my great-grandmother lived with their family after the untimely and accidental death of her husband, my mother had ample opportunity to hear all her grandmother’s tales of growing up in the 19th century. It seems unfathomable to me now that I have my own memories of a woman who had come of age during the high Victorian time, and through the longevity in the Scottish family (at least on my grandmother’s side) I have been lucky to be the recipient of tales passed down from the generations. This is not least because of all those family photographs (see Messy Boxes) which were always the catalyst for stories and reminiscences round the fireside.

As T. S. Eliot says in East Coker (where we started out in 2015): There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album).

Looking forward to you joining me on my new genealogical venture!

The Incidental Genealogist, October 2021

 

Foxed Mirrors and Fairy Tales

I have just published the introductory chapter on my my new blog A Scottish Family Album, where I’ll be delving into the lives of my Scottish ancestors through the boxes of photographs that my mother has amassed. This month’s post of A London Family not only provides a link to the new site, but offers up a preview of next month’s story about my Scottish grandparents.

Having had a great deal more contact with my Scottish relatives (and a still very much alive mother) I hope to approach this project in a different way from my London family, and I’m excited about the possibilities this will generate. Research trips to Edinburgh can now (hopefully) be combined with visits to my mother and with some careful planning we can still go out ‘into the field’, the way we used to do when we went on our yearly week-long September visits to the English capital.

Not only will it give us both a new lease of life after the recent stultifying lockdowns, but the pandemic has shown us we cannot take the continued existence of our elderly family members for granted. I must confess, I feel rather guilty about having neglected my Scottish family so long for the glamour of the unknown London one. But isn’t that just human nature: to be interested in the unattainable while dismissing the near at hand? We live our lives full of contradictions but often only when something comes along to rip the lid of things do we start to see in new ways.

*My Scottish (McKay) Grandparents, 1920s

Grandma and Grandad were plastic milk tokens and sealing wax, Valentino and Houdini, foxed mirrors and fairy tales. Their interwar four-in-a-block house in Edinburgh had things we did not possess in our modern sixties’ bungalow – a wireless and a kitchenette, a lobby and a press – and every drawer and cupboard and bookcase held remnants of the last fifty years. I was fascinated by the scraps of rich velvet containing rustling dry lavender, the ornate hat pins in the button tin, the old books with their in-plates commemorating regular attendance of school and Sunday school in the earlier part of the old century. And if those dark and sombre books were opened, the strange and alluring perfume of the past slipped out like a genie from a bottle. Then it was possible to imagine the house spinning back through time until the garish red and yellow carpets were replaced with rugs and linoleum and the ugly electric bar fires spirited away to allow the empty fireplaces to return to the more glamorous task (to my mind) of burning coals.

I don’t possess any specific memory of my grandparents and their house until sometime in the late sixties, when I was around three or four and they were knocking on the door of early old age. The first concrete image I have is of sitting on the sofa with my grandmother’s mother and of using a long-handled brush as an oar in a pretend boat in which we were sailing away. I remember, too, that I had no idea of the purpose of this brush which lived in the bathroom and was presumably a back scrubber; but I loved its transparent turquoise colour, and this was what had possibly put me in mind of boats and the sea.

Four Female Generations in my Grandparents’ Garden, 1964

Perhaps more interesting now is the memory of Great Grandma, who was born in 1874, and who I remember vaguely as small and stout, and often dressed in dark shapeless clothes, her grey hair in a bun. By the 1960s she’d already had numerous grandchildren and great-grandchildren, so I was possibly nothing to get excited about, although I still retain a feeling of love and safety emanating from her solid frame and the knowledge that she was enjoying being part of my boat fantasy that day.

Although I loved the watery look of the turquoise brush, which looked like something Neptune might possess, I hated the rest of my grandparents’ spartan bathroom with the tiny, frosted glass window set up high in the outside wall, and the cold enamel bath which dominated the narrow space. But to be fair, as an indoor bathroom had been luxurious in 1935, they had possibly not wanted to tempt fate by making it any more appealing than it had to be. This might explain why they both still washed daily in the kitchen, scrubbing their armpits with flannels over the large Belfast sink, bathing only weekly, as if they were still in the wartime business of conserving water.

As a relatively spoilt child of parents who’d benefitted from the post-war economic boom, I also could not understand how my grandparents were able to happily share their garden with the family upstairs, and never felt truly comfortable playing outside in this space, watched by the elderly couple from their back windows. However, I did love the fact that I could just jump over the low fence and play with the children next door – and jump over their fence to reach the next set of children, as well as the fact that we could then all play out together in the quiet streets. This was mainly because at that time so few of the neighbours owned cars, but also that there was a large cul-de-sac at the top of the road where we could set up elaborate skipping games. In the quiet neighbourhood in Ayr where I grew up, everyone lived more sedately behind their hedges and fences and there was not the shared feeling of community that I sensed in the suburb of West Edinburgh where my grandparents lived.

My McKay Grandparents in early old age

Today my mother lives a ten-minute walk away in a  ‘posher’ suburb. Yet when I visit her we rarely walk to the house where my grandparents lived for half a century and where my mother grew up and spent all her pre-married life. When we occasionally do go, we always end up noticing what has remained and what has changed in the neighbourhood. Front gardens have been swept away and superseded by utilitarian car parks; the original thirties doors and windows have been replaced with a hotchpotch of modern equivalents ; the shared gardens are now divided into distinct halves by boundary markers.

Whenever I happen to pass my grandparent’s old house, I look for the botch-job tarmacked stones on the front path which used to fascinate me as a child. Just one strange ugly section of lumpen molten tar over rocks, but to me it is a link with the days when I used to strut from the house to the street in my grandmother’s old-fashioned court shoes, or when I used to drag out the old turkey rugs from the lobby press to play on. Laying them over the misshapen path I used to pretend they were magical flying carpets, transporting me back through the years rather than to distant lands, and I could almost see my mother sitting on the outside coal bunker (which by then held only wood scraps) on the day she tore her dress jumping off for a dare.

I knew this story because I’d been told it many times whenever I asked about the naughty things my mother had done when young. I felt sure there must have been much worse, perhaps kept hidden from me, and one day I would find out the truth. But it seems in the naughtiness stakes, my sister and I were the outright winners, not having endured the same kind of strict 1940s upbringing of my mother (despite her being a long-waited for, only child).

To be continued . . .

The Incidental Genealogist, September 2021

 

Remembering my Return to East Coker

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

T.S.Eliot, East Coker (1940)

This month I’ve been spending time at home in Switzerland with my mother, who miraculously was still able to come out for her annual summer visit – albeit via rerouted flights and increased bureaucracy. Having not seen each other for a year, it has been a very enjoyable visit, with one of our main activities being to prepare for the new Scottish family history blog which I intend to launch in the autumn. While talking to my mother about her childhood, I have been impressed at the breadth and depth of her reminiscences, which go back eighty years to when she was a toddler being carried out to the air raid shelter at the bottom of her garden in west Edinburgh.

Despite having some memories of the war, the ten year age gap between my parents meant that my mother’s experiences differ from those of my London-born father. Yet I was interested to learn that she did indeed spend some time as an evacuee in the countryside outside Edinburgh with her mother at the beginning of the conflict. There they stayed in the mining village of Roslin (made famous by the medieval Rosslyn Chapel which featured in Dan Brown’s bestseller The Da Vinci Code) with one of my grandmother’s older sisters, her miner husband, and their two young boys. I remember visiting this elderly couple in the 1970s in their terraced cottage on the Main Street and playing in a back lane with some local children, thinking how much fun it would be to live in such a close knit community.

Maybe it’s because my mother was so much younger than my father and was always happy to talk about her childhood that there was a sense of her memories being somehow less valuable than those of the more unknown London branch of the family. There was no mystery surrounding her upbringing, and with regular contact with our Edinburgh-based grandparents (and others in their extended families) there were always plenty people to ask about the past. Unlike my English grandparents, my Scottish grandparents had remained in the same house since the 1930s and we were surrounded with the objects they had accumulated over their lifetimes. Opening drawers and cupboards always revealed strange objects (such as sealing wax and hat pins) and once even a cache of old-fashioned toys underneath the floorboards (see Of Lost Toys and Mothers).

In addition to these items were the boxes of family photographs that my grandparents inherited from my great-grandmother when she came to live with them after she was widowed. It is those images which will form the basis of my new blog A Scottish Family Album, and with my mother’s help I intend to investigate how photographs of relatives – many who are long gone – can trigger more memories and family stories. Another pair of eyes can also illuminate some overlooked aspect of a photograph, and looking at such images together will hopefully shed new light on the stories behind the photographs.

This was certainly the case when I took some copies of family photographs to my elderly aunt, who I visited with my English cousin in August 2019. Both of us fully intended to return the following year and make it an annual pilgrimage for as long as we possibly could. However, as this has obviously not been possible, I would like to revisit that afternoon by publishing an updated version of the post I wrote two summers ago. Even on that muggy Saturday I was aware that time was slipping away from us as we talked, and it is perhaps just as well that we had not known then of what was about to happen.

*

CROSSROADS.JPGSignpost to Naish Priory in the woods at Burton, East Coker

In the summer of 2019, just before the world ground to a halt, I was lucky enough to have the chance to return to Somerset – where my story began – to visit my aunt. I travelled with my cousin Sandra (the daughter of my father’s younger brother) and we stopped at the village of East Coker on the way. This allowed my cousin to see the places I hoped my aunt would still be able to describe to us from her memories of the family wartime evacuation, making the visit more meaningful for all of us.

Unfortunately, it was a cool, wet and blustery Friday afternoon, in contrast to my first visit in July 2005 (see East Coker), which had certainly been influenced by the good weather. However, fortified with tea and cakes from the National Trust café after our trip to nearby Montecute House, and sporting the matching bucket hats we’d purchased in Sherborne the day previously, we decided there was nothing to stop us exploring the village in the wind and rain. Maybe it would even clear up later, we told ourselves rather optimistically. (It didn’t).

A lucky coincidence saw us approaching East Coker by way of the sunken lanes I’d already described to my cousin. I’m not quite sure how much Sandra appreciated having to squeeze her car by a number of large vehicles exiting the village, but she certainly agreed with me that it was an ‘exciting’ way to arrive. However, those pesky narrow lanes effectively prevented the other part of East Coker – where our fathers had lived during WW2 – from further development, and thankfully could not now be widened due to planning regulations.

HOLLOW LANE.JPGA sunken lane on the approach to East Coker

We soon passed the old hamlet of Burton and the end of Burton Lane (which led to the farmhouse cottage where the Skeltons had lived for the duration of the war). We had, however, already decided to head straight for the heart of the village (which had once been called Up Coker), and park by the alms houses next to the church. Not only did this mean we could start our walk by viewing the impressive church of St Michael’s, with its T. S. Eliot memorial, but it also gave me the opportunity to show my cousin the first cottage in which our grandmother was billeted (West Wells), and where I was told she’d only stayed for a short time as she’d been unhappy about being made to ‘feel like a skivvy’ by the woman of the house.

ALMSHOUSESThe 17th century alms houses by the church

A wedding rehearsal in the church meant we only had time for a cursory look around, and I was glad I’d had the chance to attend a Sunday service with my mother on our first visit back in 2005. It was on that July morning that I felt the sense of the community that pervades the place, as well as delighting in the Englishness of the service, which was so different from my childhood memories of attending the Church of Scotland.

Conscious of the worsening weather, we did not stop for a drink in the Helyar Arms as planned (actually called The New Inn until 1948), but headed past the pub and along the road leading to Sutton Bingham – once a scattered village and now a reservoir, whose medieval church with pre-reformation wall paintings had been preserved. My mother and I had visited the church on that first trip, and had wondered at the homes which had disappeared to make way for the water. My father would have known the village (where there had been a railway station, closed in the early 60s, but not as part of the reservoir development), and it must have been an uncanny experience for him to return to the area and see that great expanse of water where once there were farmhouses and fields.

COKER MARSH ROAD.JPGCottages at Coker Marsh

In the end we only got halfway up the road before heavy rain halted us in our tracks. However, it was enough to give Sandra a feel for this part of the village – called Coker Marsh – and where our uncle’s extended family (the Bouchers) had lived in one of the stone cottages which lined the road. Walking back the same way towards the church, I noticed a small stream running along the left-hand side of the road which, judging from the stone channel in which it ran, looked like it might have once had a purpose beyond just taking away runoff water. The remains of a cress bed? I could not remember it from my earlier visits, but wondered whether this was because it had been dried up previously. This made me think about other aspects of the village I might have missed, or forgotten, and I realised that although I generally prefer to explore places on my own, by showing Sandra around East Coker I was strengthening my own mental map of the area.

Our next plan – to walk via Back Lane to Burton – was stymied by more heavy rains so we missed out going there on foot, much to my disappointment. While it was certainly useful to have a car, particularly in such horrible weather, I have always relished my own rambles around the area, climbing the many wooden stiles and taking the lanes that lead to the neighbouring villages. Being a non-driver admittedly closes off some opportunities, but also means that walking long distances becomes commonplace (just as it once was). For years I was slightly ashamed of this proclivity for visiting new places under my own steam, often in combination with public transport, as I always felt it made me seem like a second-class citizen. But now that eschewing car ownership has suddenly become more mainstream, I feel less defensive about my lack of driving skills.

BACK LANE.JPGWild Flowers in Back Lane

Although we missed out on the very charming footpath up Back Lane – which my aunt later told us was one where she would go with our uncle before they were married and wanted some privacy – I did convince Sandra to park up at North Coker and walk along the road to Burton Cross. This meant that we were able to admire the stone cottages, many with thatched roofs, and their bright and blowsy, albeit rain-soaked, gardens. We passed by what had once been the shop and post office, a sad reminder of how little of these services remain in rural locations. On my first visit in 2005 it had still been trading and my mother and I had been grateful to be able to purchase snacks and a newspaper. No doubt my father would have spent any hard-earned pocket money there – as had most of the village children throughout the years – as well as in the small shop next to the pub, which had long since closed. I pictured him scampering along the road, after having helped out with the harvest or haymaking, wondering whether to spend his precious farthings and ha’pennies on liquorice or boiled sweets.

As we walked up Burton Lane to the cottage where my grandmother and the three children lived during the war, I tried to picture it as it had been in the 1940s, devoid of the new bungalows which were squeezed in between the row of original cottages and the fields. I had once come across a photograph of the lane, taken shortly before the war, which showed a herd of short-horned cows being driven along a narrow dirt track bounded by hedges, trees and fields. In the distance all that could be seen was the roof of the wooden gospel hall – the building my grandmother cleaned in return for reduced rent on the rather spartan Burton Farm cottage opposite.

BURTON LANE (2).JPGLooking down Burton Lane from the road end today

Even today the lane is very much a rural road and it was possible to imagine how it once was – and how different from the busy streets of South London it must have been for the Skeltons. Yet on this visit, I was more conscious of the post-war houses which flanked the lane, looking shabbier now than previously. And I could swear that a couple of newbuilds had popped up between them in the once generous gardens, giving the lane a more hemmed-in feel. In contrast, the original cottages nearer the road-end appeared even more attractive next to their characterless suburban-looking neighbours; although I was aware that to have lived there once would have meant putting up with cold and damp and darkness for a good part of the year.

As Sandra is particularly interested in old buildings (but stressed she still wants to live in new one), I had little difficulty in persuading her to take the sandy track which ran by the chapel towards Gulliver’s Grave (the name of a field), and turns off at a crossroads in the woods towards Naish Priory. This 14th century Grade 1 listed building is now a private home, and although it was never a true priory, it did once have religious connections. It is, however, a remarkable survivor from the period with a price tag only the super-wealthy can afford. Currently it’s owned by the local conservative MP and arch-brexiteer, investment banker Marcus Fysh,  which may have explained the number of EU flags draped over the front gates of several of the more modest houses in the village!

NAISHSide view of Naish Priory

The following afternoon, when I told my aunt of our trip to the priory through the woods, she explained that was the same way she’d walked from the farm cottage to pick up the school bus to Yeovil (a 1920s charabanc brought out of retirement for the evacuees). Although it did not seem like much of a short cut, I’m sure there was a good reason for my aunt to use this trail, rather than take the road. Perhaps she’d simply wanted to avoid someone (such as the local farmer who was rather touchy-feely) or had enjoyed the lonely track, which she told us she’d undertaken in all weathers.

Asking someone at an advanced age about their reminiscences obviously needs to be handled sensitively, and I was conscious that it was just as important for us to talk to our aunt about the present as the past. Luckily Sandra – who knew our older English cousins much better than I did – was able to supply that side of the conversation. While she browsed through photographs of a recent family wedding, I showed my aunt some of the old family photographs I’d accumulated over the years. Most of these she could remember, as I’d either sent her copies in the post or she’d furnished me with the originals. However, viewing them together was a completely different experience. Each image released a most astounding array of sharp memories, as if the photograph had been taken yesterday. For example, a great-uncle I’d never known (my grandmother’s beloved older brother) was described by my aunt for the first time as being ‘pompous’. Even as a boy you can see it in the way he looks!

Sometimes I just had to catch my breath and listen carefully as my aunt described such momentous events as The Crystal Palace burning down in a relatively matter-of-fact way: Mother called us to the window and said there must be a huge fire going on somewhere over South London. We did not know then that it was the great Crystal Palace where we went to listen to bands on a Sunday. My aunt then told us about the car races in the grounds of the Crystal Palace that my grandparents took them to watch. The car racing at Sydenham was something I had not known about, and seemed a strange thing for a young family to do. But then when reading more about it afterwards, I discovered that these were popular events, which in the 1930s would have perhaps fascinated a wider variety of people.

Crystal_Palace_fire_1936Crystal Palace burning down, November 30th, 1936

And so it was that the afternoon continued in a most delightful fashion, my aunt moving lightly from the present to the past, depending on the topic of conversation, her face a range of flickering emotions. Shafts of late summer light from the garden fell through the open stable door of my aunt’s tiny 18th century cottage, lighting up her features, which, as Sandra remarked later, made her look like Nana and Grandad rolled into one person. Behind my aunt on the wall, a clock ticked ominously, making me aware of the limited hours we had – and not just on that afternoon. It was one of those rare moments (or rather a collection of moments, strung together like delicate fairy lights illuminating the dark) where it seems that time has ceased to exist in normal terms. I felt as if we had almost slid into another world: one in which we could glide between 1939 and 2019 with ease, summoning up ghosts along the way.

My aunt’s stories – delivered in that funny old-fashioned clipped London accent that the whole family once had – triggered a range of emotions in me that Sandra later told me flitted across my face in the same way as my aunt’s (and, if truth be told, just like Sandra herself). With my aunt’s uncanny ability to describe past events in exquisite detail, frozen moments in photographs were suddenly set free to take on their own momentum. A picture of the back yard at Denmark Road reminded her of how she and my father used to dare each other to climb over the fence into the next door neighbour’s garden at night and run around without getting caught. She explained that this was because the neighbour’s back yard was actually planted out with shrubs and flowers and had a lawn – as opposed to the more functional space to the rear of their own house.

Another photograph, this time of my aunt and father in fancy dress, brought back a memory of a party at school. My aunt explained that my grandmother had been so delighted with the sight of her two children all dressed up in their costumes (Sandra’s father was yet to be born) that they went straight from their junior school in nearby Crawford Street to a local photographer’s studio in their outfits. And that slightly superior-looking smile on my aunt’s face? Well her Pierrot suit had been specially made for her, whereas my father had just had to contend with what he could find in the dressing up box.

P1070488 (3).JPGMy aunt and father in fancy dress c1933

That afternoon I also learnt that the dog my grandfather brought home to Denmark Road one day, surprising his children, had actually never been meant as a family pet but as a guard dog to protect the house from a ‘light-fingered’ family two doors down. My aunt laughed to recall that one night when they all returned home from a day out (perhaps at the Crystal Palace), the house had been ransacked and the dog was found quivering under the table.

Such tales, although not dramatic in themselves, are important to family historians. Not only do they bring the very human side of genealogy to the fore, but also illustrate the concerns of previous generations – which may have been very different from our own. They also help us to understand the behaviour of our ancestors. As a child I always thought it strange that my father obsessively checked all the locks on the doors and windows of our bungalow every night and admonished us if we left our bicycles outside. I wonder, too, if he perhaps felt guilty that his childhood dog was just left out in the back yard most of the time. In contrast, our own family dog went everywhere with us and was (according to the vet) literally walked to death by my father and myself.

JET.JPG

Our Cocker Spaniel, Jet, 1974-1982

My aunt, however, does not suffer fools gladly (just like my grandfather and father) and certainly could not simply be described as some sweet old lady sitting in a rocking chair, waiting for her relatives to visit. One of the reasons I had not seen so much of her over the years is that she and my father did not always have the easiest of relationships. He found her bossy; she found him difficult. But their younger brother was the adored baby of the family who kept the infrequent family reunions going throughout the years.

My last memory of my aunt on that Saturday afternoon is of her standing in her front garden as we prepared to take our leave (with promises to return in a few months), jabbing at the twisted trunk of an old wisteria tree with her walking stick. She was annoyed with the fact that while she wanted the tree cut down to let in more light, her neighbours wanted it to remain. This was because the old wisteria’s spreading branches also decorated the facades of their own cottages, adding value to the homes.

So like Aunty! Sandra whispered as the garden gate clicked behind us.

So like Grandad! I thought.

Later that evening, ensconced in a quiet country pub, Sandra and I browsed through my copy of East Coker: A Village Album by Abigail Shepherd, a book very much rooted in the tradition of oral history. My cousin was able to easily recognise the old photographs of the places we’d visited, so little had changed in East Coker over the last century and a half, and we both expressed our amazement that our aunt (who also had a copy) had been able to recognise so many people in the book. Not only had she been able to locate Sandra’s father as a child from a sea of other schoolchildren who were all in fancy dress to commemorate the end of the war, but she was able to put names to the blurry faces of some of the adults standing sheepishly at the back. I found it equally impressive that she’d known who everyone was in my father’s boyhood photograph of the 1944 Whit Monday trip to Coker Woods, the discovery of which had reawakened my interest in my Skelton family history (see In my Beginning is my End). 

Coker Woods.pngThe photograph of my father (right) with friends, East Coker 1944

Since returning from my visit to Somerset, I’ve been rereading Abigail Shepherd’s informative and entertaining book about East Coker, discovering facts I’d previously missed or forgotten about, and tying in some of the stories my aunt told us about (such as Queen Mary’s visit to Mrs Dorothy Walker-Heneage at Coker Court in 1941) with the reminiscences  outlined in the book mentioned above. As it was first published in 1997, many of those interviewed are no longer alive today to tell their tales, including my father’s friend, Alan Cornelius, who as a teenager had taken the group photograph in the local woods with his father’s Box Brownie.

I’m glad that I was finally able to meet Alan Cornelius, and learn about his wartime boyhood experiences, and am grateful for the copy of his (unpublished) notes on the subject of the ‘vacuees.  By chance, my aunt told me that one wartime Christmas the only electric bulb they possessed in their small farm cottage gave up the ghost, prompting her mother to ask her to go to the Cornelius household to see if they had a spare. Of course, my aunt being my aunt simply put her foot down and refused to go out begging for a lightbulb on Christmas Day, and so the family had to celebrate in candlelight. Which sounds as if it might have been wonderful for everyone but my poor grandmother!

A VILLAGE ALBUM

Of course, it is now more than 80 years ago when my aunt and father were evacuated with their respective schools: my aunt to East Coker with Charles Edward Brook School for Girls in Camberwell, and my father to Leatherhead in Surrey with his school. However, only a few months later my grandmother was able to move to East Coker with her younger son and bring the three children together under one roof, while my grandfather continued to work in London. For a fourteen year old like my aunt, the evacuation seemed more like an adventure away from the restrictions of her parents, in particular my grandfather, who could be a rather strict father.

As Alan Cornelius pointed out to me, there was great excitement in the village when the evacuees arrived and a lively social scene grew up, with boys’ and girls’ clubs held at Coker Court, as well as local dances, sports events and cultural activities. It is not surprising then to learn that many of these wartime friendships blossomed into relationships and then into the inevitable (in those days) marriages. It seems strange to think that my aunt’s lifelong connections to the area – cemented by her marriage to a popular local East Coker boy – all hinged on the lottery of the evacuation on the 1st of September 1939.

The Incidental Genealogist, August 2021